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The scenes in the warehouse work really well in terms of keeping the audience connected to the movie, not at least because they are shot in realtime, so “every minute for them is a minute for you” [3]of being stuck in the warehouse. Mr. Pink is the only one who gets away with the diamonds in a bag, just seconds before the police moves in. In the last moments Mr. Orange confesses to Mr. White that he's the rat. This also derives from a time when Tarantino wasn't sure whether he would be able to raise more than about 30000$, so shooting the whole movie at one location would be more affordable to him. Those sequences where he jumps back and forth in time to introduce us to his main characters contrast the tight and disturbing (and by the way very stage-play-like) atmosphere of the warehouse although they sometimes seem a bit too slow paced and one wishes to speed up the story, but never-the-less they give the audience some time to breathe and relax from the disturbing images. All in all Tarantino really hit a nerve with Reservoir Dogs, since it became one of the most influential gangster movies of the nineties. Thanks to excellent dialogue and a pitch-black sense of humor, the film is balancing stark contrast of extreme violence and easy-going crooks very well. A perfect example for such dialogue is the name giving sequence |
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>> Special Feature "Quentin TARANTINO": Reservoir Dogs: Page 1 | Page 2 | Page 3 | Page 4 |